Godspell 1980

First of all I`d like to thank David for all photos of the cast of Godspell 1980!

The Story of “Godspell”: CHRIS HAMILL – ” LAMAR ” (Alford)

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ACT ONE:

The show begins with God’s Voice, spoken by Jesus, declaring his supremacy: “My name is Known: God and King. I am most in majesty, in whom no beginning may be and no end.” (“Opening (Monologue)”). The company then enters and takes the role of various philosophers throughout the ages (as noted above, sometimes this section of the play is excluded). They sing fragments of their respective philosophies, first as solos, and then in cacophonous counterpoint (“Prologue: Tower of Babble”).

In response to these philosophers, John the Baptist enters blowing a shofar to call the community to order. He then beckons them to “Prepare Ye, The Way of the Lord!”, and baptizes the company. (“Prepare Ye”) The company then exits the stage and John then gives a small sermon as Jesus watches quietly. He then announces his presence to John, and says he too wishes to be baptized. John responds by, instead, asking to be baptized by Jesus. Jesus explains that “We do well now to conform with all that God requires.” and is baptized by John. The company comes back on stage as they sing with Jesus. (“Save the People”.)

In his first parable, Jesus explains to the company that he has come “not to abolish the law and the prophets, but to complete”. (In the original production, the company donned clown makeup and face paint at this point. Subsequent productions may instead use some object—a pin, a scarf, a badge, or a flower, for example—to denote that the company has become followers of Jesus.) Jesus explains to the company that those who adhere to the law of God will earn the highest place in the “Kingdom of Heaven.” He tells them the parable of the Widow and the Judge. God is a just jurist who will support those who cry out to him.

The company begins to understand Jesus and his teachings, and they take it upon themselves to tell the story of the Pharisees and the tax gatherer praying in the temple: “Every man who humbles himself shall be exalted!”

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As Jesus teaches of the law regarding the offering of gifts at the altar, the company makes offerings—themselves. They are taught that to approach God’s altar, they must be pure of heart and soul.
Then, they act out the story of a master and a servant who owes him a debt. The servant asks his master for pity in repaying the debt, and the master absolves it. The servant then turns to a fellow servant who “owed him a few dollars” and demands that it be paid in full. The master, hearing this, then condemns the servant to prison. Jesus explains the moral: “Forgive your brothers from your heart.” The member of the company telling the parable sings “Day by Day”, and the company joins in. After the song, Jesus teaches that if one part of you offends God, it is better to lose it than to have the whole of the body thrown into hell.

The company then plays charades (in the current production, with members from the audience) to finish several statements posed by Jesus, including “If a man sues you for your shirt…” and “If a man asks you to go one mile with him….”.

Then, a cast member comes forward after charades saying: “You wanna see a show?” The company performs the Parable of the Good Samaritan in the form of a play-within-a-play. Jesus explains the need to “love your enemies”, and “not make a show of religion before men”. He goes on to say: “God will reward a good deed done in secret.” (“Shhh! It’s a secret!”)
The parable of Lazarus and the rich man is next tackled by the company, who are quickly learning how to work together. On earth, the rich man feasts, and Lazarus begs and is ignored. Upon dying, Lazarus is rewarded with Heaven, while the rich man is in Hell. We are told to “Learn Your Lessons Well”, or be faced with eternal damnation. When the rich man asks Abraham if he would send Lazarus back from the dead to warn his brothers of their impending doom, Abraham tells him no: “If they do not listen to Moses and the Prophets, they will not be convinced even if someone should rise from the dead.”

Jesus teaches that no man can serve two masters—God and money. A member of the company tells a story of a man who spent a lifetime acquiring the good things in life, then dies before he has the time to enjoy them. She sings “Bless the Lord,” then Jesus tells them not to worry about tomorrow: “Tomorrow will take care of itself. Today has problems of its own.”
In an antiphonic chorus, the company recites the Beatitudes. Judas, however, directs the final beatitude regarding persecution at Jesus, and Jesus quickly changes the subject. (“Did I ever tell you that I used to read feet?”) However, with this Jesus persuades the company that it is “All for the Best”; heaven contains the ultimate reward. Judas sings a verse, and the two do a soft shoe and a vaudevillian joke. The company, and chorus if used, join in the final verse (sung in counterpoint) to bring the song to conclusion.

This is followed by the parable of the Sower of the Seeds, which Jesus tells them represent the Word of God. “All Good Gifts” is sung to further illustrate the point.
The action to this point, while amusing and entertaining, has been to do one thing—create from this rag-tag company a community of love and caring. At this point in the musical, they have formed this community and they now march as soldiers in the military, signifying their ability to think as one unit. With Jesus as the drill sergeant, they segue into the famous Parable of the Prodigal Son. They sing “Light of the World” about Christ’s Light and how it should shine in each of us.

Intermission

Jesus thanks the audience for coming and announces a 10-minute intermission.

During the intermission, a couple of things happen involving the audience. In the original production, the cast joined the audience for wine and bread. In the most recent Broadway production, wine was offered to the audience on stage.

Then the second act opens with one or more cast members singing “Learn Your Lessons Well” to call the audience back into the hall.

ACT TWO:

After the reprise of “Learn Your Lessons Well”, a member of the community sings “Turn Back, O Man”, in which she implores mankind to give up its temporal pursuits and to turn to God. Then, Jesus says: “This is the beginning.”
At this point, several members of the community begin to question Jesus’s authority, and he responds with yet another parable. He is asked, “What is the greatest commandment?” and responds, “You shall love the Lord your God with all your heart and all your soul… And the second is like it: ‘You shall love your neighbor as yourself.'” The Pharisees continue to question him, and he laments “Alas for You”, and calls them hypocrites. Members of the community gather and join in his song, and throw garbage at the Pharisees.
Jesus predicts that he will not be seen for quite a while, while standing at the “Wailing Wall”, and predicts great wars and famines. He reminds us of the time of Noah, and teaches that faith can calm the storm. The community is told: “Keep awake, then. For the Son of Man will come at a time when you least expect it.”

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One woman is cast out as an adulteress. Jesus says: “Let the one of you who is faultless cast the first stone.” Her accusers then bow their heads and walk away. Jesus walks over to her and asks: “Woman…where are they now? Has no one condemned you?” The woman answers: “No one, sir.” He tells her: “Then nor shall I. You may go, but do not sin again.” As she watches Jesus walk from her, she entreats him to remain “By My Side”. During this song, Judas foretells his upcoming betrayal of Jesus.

In one of the lighter moments in the second act, Jesus tells how he will separate men as a shepherd separates his flock into sheep and goats. The sheep will enter heaven while the goats must suffer eternal damnation. “We Beseech Thee” cry the goats, begging for mercy.

After the song, the community reminds each other to take things “Day By Day”, as they remove their clown makeup (or other accoutrement). They assemble for the Last Supper, and Jesus tells them that one of them will betray him. Each member of the community asks, “Is it I?” ending with Judas: “Rabbi…can you mean me?” Jesus tells him to do quickly what he must do, and Judas runs off. Jesus breaks the bread and shares the wine and tells his followers that they will dine together in the Kingdom of Heaven. The band sings “On the Willows”, which is about what has been sacrificed. In the song, Jesus says goodbye to the company members. He asks that they wait for him as he goes into the Garden of Gethsemane to pray.

In the garden, Jesus implores God that if there is another way, to let the burden be lifted from his shoulders. Jesus returns to his followers to find them all asleep; he begs them to stay awake, but they all fall asleep again, and Jesus warns them they will all betray him three times (a reference to the apostle Peter). Jesus then prays to God that if his death cannot pass him by, then His will must be done. He is then tempted by Satan (usually played by the apostles), but orders him away.

Judas returns to betray Jesus, but has a moment where he cannot bring himself to do it, but finds himself boxed in by invisible walls, except for one path which leads to Jesus. Jesus encourages Judas to do what he has come to do, and Judas grabs Jesus to bring him to be crucified. The community starts to attack Judas, while Jesus tells them to stop, as all who live by the sword will one day die by it. Judas (usually just him alone and as a representation of the others arresting Jesus) ties Jesus upon an electric fence – representative of the cross – as Jesus berates him for arresting him at night, but then says that it had to happen to fulfill the prophets’ writings.

The “Finale” begins, loud and in B-minor, with Jesus wailing, “Oh, God, I’m dying,” and the community answers: “Oh, God, You’re dying.” Jesus dies and the music comes to a rest. The women of the company sing “Long Live God”, and the men join in with “Prepare Ye the Way of the Lord” in counterpoint, as they remove Jesus from the fence and carry him out (either offstage or through the aisles of the auditorium).

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There is controversy over the fact that there is no obvious Resurrection of Jesus present in the show, although it can be interpreted that either the singing of “Prepare Ye” in the finale or the curtain call (where all including Jesus return to the stage) is representative of the resurrection. Some productions have placed the song “Beautiful City” after the finale to show the Resurrection. However, in the MTI script, it states that while either view is valid, both miss the point, claiming the show is about love, not whether or not Jesus himself is resurrected.

Act I
  • Opening (Monologue) – Jesus ៛ ‡
  • Prologue: Tower of Babble – Company ‡
  • Prepare Ye The Way of the Lord – John the Baptist and Company
  • Save the People – Jesus and Company
  • Day By Day – Soloist 1 and Company
  • Learn Your Lessons Well – Soloist 2, Jesus, and Company
  • O Bless the Lord – Soloist 3 and Company
  • All for the Best – Jesus, Judas, and Company
  • All Good Gifts – Soloist 4 and Company
  • Light of the World – Soloist 5 and Company
Act II
  • Learn Your Lessons Well (Reprise) – Company ‡
  • Turn Back, O Man – Soloist 6 and Company
  • Alas for You – Jesus
  • By My Side – Soloist 7 and Company – Written by Peggy Gordon and Jay Hamburger
  • Beautiful City – Jesus †
  • We Beseech Thee – Soloist 8 and Company
  • Day By Day (Reprise) – Company
  • On The Willows – Judas/The Band §
  • Finale – Jesus and Company

‡ These songs were not part of the original cast album.

៛ According to the script the opening monologue is usually spoken by the actor playing Jesus.[7]

† See notes below on “Beautiful City”

§ In various scripts and programs, “On The Willows” is sung by the live band. In the 2011 revival, it was sung by the actor playing Judas.

  • Prologue/Tower 
of
 Babel: 
All
  • Prepare 
Ye:
 John 
the
 Baptist
  • God
 Save 
the
 People:
 Jesus
  • Day
 By 
Day:
 Robin
  • Learn 
Your 
Lessons
 Well: 
Gilmer
  • O
 Bless 
the 
Lord:
 Joanne
  • All 
for 
the 
Best: 
Jesus/Judas
  • All
 Good 
Gifts:
 Lamar
  • Light
 of 
the
 World:
 Herb,
Peggy,
Jeffrey,
Robin/All
  • Turn
 Back,
O
Man:
 Sonia
  • Alas 
for
 You: 
Jesus
  • By
 My 
Side: 
Peggy
  • We 
Beseech 
Thee: 
Jeffrey
  • On 
the
 Willows: 
Band
  • Finale: 
Jesus
  • Long
 Live 
God:
 All
Godspell
 vocal 
ranges
Jesus
‐Tenor
 High 
G#
Judas/John ‐Baritone
 E
Lamar
‐Tenor
 High
 A
Jeffrey
‐Tenor
 High 
D 
(falsetto)
Herb
‐Baritone
 E
(does 
not 
sing 
any
 real 
solo,
but 
should 
be 
able 
to 
carry 
baritone 
harmonies)
Robin
‐Alto
Peggy
‐Alto
Sonia
‐Low
 Alto
(D 
below
 middle 
C)
Gilmer
‐Mezzo
Joanne
‐Soprano
(High
 A 
in
”Bless
 the 
Lord”,
High 
C 
in “We
Beseech
Thee“)

Lyrics for “All Good Gifts” from Godspell ( Chris Hamill – “LAMAR”)

We plow the fields and scatter the good seed on the land..
But it is fed and watered by God’s almighty hand..
He sends us snow in winter, the warmth to swell the grain…
The breezes and the sunshine, and soft refreshing rain…

All good gifts around us
Are sent from Heaven above
So thank the Lord, oh thank the Lord for all his love…

We thank thee then, O Father, for all things bright and good,
The seedtime and the harvest, our life our health our food,
No gifts have we to offer for all thy love imparts
But that which thou desirest, our humble thankful hearts!

All good gifts around us
Are sent from Heaven above..
So thank the Lord, oh thank the Lord for all his love..

I really wanna thank you Lord

Notes About “All Good Gifts”

“All Good Gifts” is the perfect song for any celebration of thanks, for an autumn celebration of abundance, or any time when it’s appropriate to “thank thee then, O Father for all things bright and good.”

Just before the Godspell cast sings “All Good Gifts,” they enact the parable of the seeds from the Gospel of Mark 4. So there’s a natural segue in the song that begins, “We plow the fields, and scatter/The good seed on the land.”

In 1971, director John-Michael Tebelak provided Schwartz with hymn lyrics before he wrote the song. Thus the lyrics came from Hymn #138 from the 1940 Episcopal Hymnal.

The inspired original music by Stephen Schwartz spun off the lyrics and what he had seen of the show when it was performed off-off-Broadway.

The chord relationships for James Taylor’s 1970 hit ballad “Fire and Rain,” and Elton John’s “Your Song” inspired the music Schwartz composed for “All Good Gifts.” He was pleased with how it turned out. “The song that struck home the most was ‘All Good Gifts.’ Musically, I hooked into something very heartfelt for me. It’s the Godspell song about which I have the most passion.”